Freddie Gibbs & Madlib, Bandana, Album Review


Freddie Gibbs & Madlib
Bandana
Album Review



Bandana is a new collaborative project from Indiana rap artist Freddie Gibbs and Californian producer Madlib. While this album serves as my first true introduction to both of these artists, I have heard a lot of high praise towards the two, and especially Madlib.

What ultimately enticed me into listening to this record is the insane line-up that makes up the features. With artists such as Anderson .Paak, Pusha-T and Run The Jewels' Killer Mike, how could I say no to this album?

Upon skimming across the tracks, I already knew that this album had a very professional and classic style that reminded me a lot of the lates Nas cut NASIR, released roughly this time last year.

The beats initially came across as carefully crafted blends of minimalism and layering that you could find on many of last years album with stylistic similarities. I also noticed a number of production switch-ups mid track, which I can always appreciate.

This album, in terms of context and aesthetic, is pretty straight forward; it's essentially a show off-ish album lyrically. The regular mention of cocaine does come across as a bit of a cheap trick for me. However, it isn't enough to detract from the albums atmosphere and situational immersion.

As expected, I did very much enjoy the tracks which included the previously mentioned features. This includes "Giannis", which features Anderson .Paak and "Palmolive" which includes both Pusha T and Killer Mike. Both are very moody tracks, but "Giannis" specifically has this very cold and icy production and a beat which melds perfectly with .Paak's charismatic attitude.

Other tracks I enjoyed include "Flat Tummy Tea" which is arguably the most energetic and fast-paced track on the album, "Fake Names" which has one of the most prominent beat-switches, and "Education" which includes a revamped rendition of the production behind "Bonjour" off of NASIR.

My favourite track at the moment, however, is "Cataracts" which has this awesomely warm sounding guitar riff spread across the production behind it. Pairing this with the perfectly paced beat and the lyrical prowess of Freddie Gibbs, and you have an essential summer tune to listen to while driving on in the warm weather or chilling at the beach.

While the contextual value of this album does seem slightly overplayed and outdated at this point, I can certainly regard the stylistic aspect of Bandana as its own unique thing, thanks to the consistent flows of Freddie Gibbs and the productive wizardry of Madlib.





Thank you for reading,

Booth Boy.

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